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However, there is discussion of this potentially changing in early 2018.ĪWN: How did you first get involved in the Chinese TV animation market? Since online platforms are an on-demand service, international content, which traditionally is reduced to non-prime time slots on regular TV, has been finding its way into the Chinese market via the VOD giants. Any content airing on TV can air online but not vice versa.
There are strict regulations surrounding content in China but currently, the regulations are looser for the online platforms. Youku has more than 500 million monthly active users, with 800 million daily video views, second only to iQiyi. While YouTube is not accessible in China without use of a VPN, Youku and other online platforms like Tencent and iQiyi offer a similar experience, though are predominantly populated with professionally produced original content, unlike YouTube. Leanne Passafonti: In China, there are large national broadcasters like CCTV and SMG, as well as many regional Chinese broadcasters who operate only in specific parts of China. Passafonti talks us through what to expect when working in China and the key things to consider when venturing out of the wild West and into the emerging East.ĪWN: How does the Chinese media landscape look compared to the West? Most recently, she led the development and was story editor for the 52 x 11, preschool show Emmy & GooRoo, as well as writing episodes and the theme tune lyrics for the new Youku series. She has significant experience in the Chinese market, having worked with major broadcasters CCTV and Toonmax Media and several Chinese producers. She’s worked with and for some of the industry’s biggest players (Nickelodeon, DreamWorks Classics, Red Kite Animation and more), on acclaimed shows such as the Asian Television Award winning George of the Jungle, Emmy & GooRoo, Ella Bella Bingo, BAFTA nominated House of Anubis and Filminute Award winning and BAFTA nominated Stitch Up Showdown.
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Since it caters to people who love letting the “good” guys win, regardless of motivation.Veteran producer Leanne Passafonti is a top British development and production professional with over 11 years experience creating and producing original content for the children’s media space. It’s a relatively “good” anime, but there are various loopholes and plot issues that you might want to ignore. This makes any relatively simple crime absurd and crazy, which is bound to keep you watching. It sucks you in fast!Īside from the pettiness of the rivalries, and the added paranormal theme.
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Yakushiji Ryouko no Kaiki JikenboĪn elite polyglot investigator, Ryouko Yakushiji must deal with supernatural forces while fending off her rival investigator.īecause competition is a must, there’s a deep level of attachment in this series for mostly every character. I’m ranking my favorite detective anime of all time (including TV and movies) that I think everyone should check out. Well whatever your answer, you’ve come to the right place.
So let’s say you fancy Sherlock Holmes and his crime-solving abilities.ĭo you like solving crimes only to end up confused or surprised by the mystery? Or do you just love detective-themed animes for the thrill of the plot?